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She wanted to create a story collection that was, inarguably, a collection of stories, rather than, as with The Dew Breaker or Claire of the Sea Light, a text that can be interpreted as a novel in fragments. In these stories, Haiti’s enduring presence feels more ethereal-urgent in a different way for this new generation.Įverything Inside, Danticat says, is “a personal milestone”-the result of trying something new. Some of the characters have never experienced the horrors that Danticat’s earlier characters fled many live in America. Her work has always been quietly revolutionary in both its explicit depiction of tragedy and its examination of deep interpersonal relationships.ĭanticat’s newest collection takes this idea further, presenting Haitians, Americans, and Haitian-Americans who have varying degrees of distance from the Caribbean nation. Rather than focusing solely on the ravages, she also shows Haiti’s beauty, geographically and culturally. This is what Danticat’s fiction has sought to capture, too, through the tenderness and resilience of its characters.
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#BREATH EYES MEMORY BY EDWIDGE DANTICAT SPANISH VERSION FREE#
These earlier works subtly nod to Haiti’s other historic moments of violence, from the brutalities of the French during the slave trade to the bloodshed during the former slaves’ epochal takeover of Haiti in 1791, which made it, in 1804, the first free black republic in the Americas.īut Haiti’s history is also one of astonishing rebellion and of ordinary people just trying to get by-facts often ignored by American media, which insists on painting Haiti as an epicenter of suffering. In “Children of the Sea,” one of the stories from Krik? Krak!, the Macoutes’ excesses are described in excruciating detail: They make family members rape each other in front them, then murder them, acting with the impunity of their belief that vodou protects them. And it is this core idea-women faced with choices at once mundane and magnitudinous-that perhaps best characterizes Everything Inside.ĭanticat’s earliest fiction was dense with blood and violence, steeped in Haiti’s past: the history of Papa Doc and Baby Doc Duvalier’s tyrannical regimes and the horrific presence of the Tonton Macoutes, the Duvaliers’ legendarily brutal, murderous paramilitary force. Danticat says that above all, she wished to “show all the layers” of the women in her new stories when they make their decisions-good, bad, and everything in between.
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In Danticat’s new collection, Everything Inside, these questions may explore romantic infidelity, broken pacts, or the identity of a long-lost parent sometimes, they involve the labyrinthine question of whether to return to Haiti-the country-from Little Haiti in Miami, where many of the stories take place. This is the kind of conflict that I’m drawn to: people asking very hard questions.” “Because of that, we do things we know we shouldn’t do-things that have tragic outcomes. “Sometimes people know our most vulnerable places,” Edwidge Danticat says.